Nikon D5200 Review

Nikon have officially announced the new Nikon D5200. Here is some information from Nikon about the camera:

Breath-taking image quality

The third camera in its series, following the D5000 and the D5100, the Nikon D5200 offers a massive leap in image-quality. In addition to the 24.1-megapixel DX-format CMOS sensor for finely detailed images, the new EXPEED 3 image processor provides high-speed operation and excellent, rich colour reproduction – as well as enhanced movie recording. The high ISO sensitivity (100-6400 which is extendable to 25600) delivers brilliant shots in dark or poorly lit environments as well as producing clear images of fast moving subjects.

The Nikon D5200 shares an AF system, metering sensor and scene recognition with the Nikon D7000 series, giving this camera a new level of performance and much enhanced image quality. The superior accuracy of the 39-point AF system and nine cross-type sensors delivers razor sharp images by focusing precisely on the subject you choose. Meanwhile, the 2,016-pixel RGB metering sensor provides precise data to the camera’s Scene Recognition System, which optimises exposure, autofocus and white balance immediately before the shutter is released.

Nikon D5200 Black with 18-55mm lens

Image creations from any angle

The Nikon D5200’s versatile 7.5cm (3-in) vari-angle LCD monitor provides the ultimate freedom and flexibility to take beautiful shots and movies from virtually any position. You can flip, tilt or turn the swivel monitor to get really creative with your angles. In addition, the Nikon D5200 is an intelligently designed lightweight camera, with clear menus and superior ergonomics, making it a pleasure to maneuver and shoot with.

Wireless connectivity to share your creations

Wirelessly transmitting images from your camera to an Apple™ or Android™ smart device is possible by using the optional WU-1a Wireless Mobile Adapter. This means you can share images that you are proud of with friends via social networks and email for instant reactions. It is even possible to control your camera remotely from your smart device to help you take beautiful shots without disturbing your subjects.

A rear view of the Nikon D5200 with Wifi Adapter

Distinctive HD movies

Effortlessly alternate between shooting stills and Full HD movies with smooth (up to 60i/50i) recording at the flick of a switch. The camera’s subject tracking of moving objects in three dimensions, with full time servo AF (AF-F), ensures focus of moving objects throughout filming. Adding to that, creating movies to be proud of can be achieved with in-movie editing and the camera’s built-in stereo microphone.

The Nikon D5200 Video setup with a microphone attached

Inspirational Effect and Scene modes

Be even more original with the Nikon D5200 Effects mode. A range of seven special effects: Selective Colour, Miniature, High and Low Key, Silhouette, Colour Sketch and Night Vision can be applied in real time to images and movies through Live View so you can see what your final creation will look like before you shoot it. In addition, in-camera High Dynamic Range (HDR) and D-lighting capture detailed images of high-contrast scenes, increasing creative possibilities. You can also select from 16 different Scene modes – they optimise the camera settings, such as shutter speed, ISO and aperture – to the situation you are shooting. It is great for a quick shot or if you are still learning about D-SLR photography.

The Nikon D5200 Bronze with 18-55mm lens

Easy User Interface with Live View Feature as an option

Key features

– DX-format, 24.1 megapixel CMOS image sensor with EXPEED 3 for exceptional quality
– Vari-angle LCD monitor: View life at a unique angle with a high resolution, 7.5cm (3.0-in), 921k dot vari-angle screen
– Compatible with Wireless Mobile Adaptor WU-1a to transmit images from the camera to AppleTM or AndroidTM smart device and remote shooting¹
– High ISO (100-6400) extendable to 25600: keeps the detail with low noise in low-light situations
– Razor-sharp 39-point AF system with nine cross-type sensors in the center. Offers fast and precise autofocus coverage across the frame
– 2,016 pixel RGB metering sensor delivers highly accurate metering for exact exposures and provides precise data to the camera’s Scene Recognition System
– Scene Recognition System optimizes exposure, autofocus and white balance immediately before the shutter is released
– Continuous shooting at 5fps: so you do not miss that fast-moving action shot
– High dynamic range (HDR): Gives detailed shots of high-contrast scenes by combining two shots taken within a single shutter release
– Active D-Lighting: Retains details in highlights and shadows for well-balanced images, even if the subject is moving
– D-Movie: Full (1080p) HD movies with smooth (up to 60i/50i) recording and a built-in stereo microphone
– D-Movie AF modes: Live View autofocus works when shooting movie clips, keeping subjects in sharp focus
– In-built stereo-microphone for improved sound quality
– Updated new generation GUI Design
– 16 Scene modes: Automatically adjusts camera settings, including Picture Controls and Active D-Lighting, for optimal results
– Effects mode – seven effects including Selective Colour and Miniature, which can be applied in pre-shoot, for more creative movies and stills
– Compatible with WR-R10 Wireless Remote transceiver and WR-T10 Wireless Remote transmitter that let you control key camera functions from a distance
– GPS compatible: Records the exact location of the camera when a picture is taken by using the optional GP-1 unit
– NIKKOR lenses: take advantage of Nikon’s legendary NIKKOR lenses and make the most of the camera’s 24-megapixel resolution. Capture photos with vivid colour and striking contrast. Shoot movies with crisp detail or experiment with cinematic effects
– Available in three colours: black, red and bronze
– Lightweight body (505g) with an intelligent design and superior ergonomics

¹ Compatible with iOS™ and Android™ smart devices. This feature requires use of a dedicated Wireless Mobile Utility application that can be downloaded for free from Google Play™ and the Apple App Store™.

Sample Photos from the Nikon D5200

For more information about this product visit Nikon’s site here

Parts of this post were supplied by Nikon Press.

Until next time – Happy Shooting!

PART 2: Who Needs Carrots When You Have A Fujifilm X-Pro 1?

Aug6

This is a continued post from Part 1 – Who Needs Carrots When You Have A Fujifilm X-Pro 1?

“You don’t need carrots to see in the dark – you simply need a Fujifilm X-Pro 1. Hopefully the photos and story show just how this camera performs in low light when using high ISO – no need for those carrots anymore!”

PART 2:

Motionless, beat up and lost the door stood as a gateway into a darker world. The urban rustic weathered paint was a reminder of the harsh abandoned life this building had become custom to. The distant street light shed new life on the neglected doorway. My X-Pro 1 picked up the little available light with ease. ISO 5000 had never looked so clean against a decrepit dirty background.

Fujifilm X-Pro 1 – 35mm – ISO 5000 – f1.4- 1/40 second

Continuing my stroll down heritage surrounds my camera was drawn to a light like a moth to a flame. The building before was bathed in an iridescent glow. Bold straight architectural lines gave form with a modern twist.

Double doors centred as a focal point balancing the two outer archways. Caged vertical bars broke horizontal lines. Interior warming light shone juxtaposed against the outside cool colour temperature. All I had to do was simply lift the camera, look and click. The magic light danced around my viewfinder and instantaneously the camera showed off its work on the back LCD. Impressive!

Fujifilm X-Pro 1 – 35mm – ISO 2500 – f2.0 – 1/125 second

Street art always intrigues me. Fremantle is not really renowned for the modern art form so it was a breath of fresh air coming across it. The intricate detail of pen on textured walls stood proud. I was impressed at the quality both of the artist and camera’s reproduction alike. Smooth tones and noiseless photos proved the Fujifilm X-Pro 1 had been a perfect choice. ISO 6400 had never looked so clear before. Maybe it was down to the amazing sensor or just the sharpened glass present on the robust camera either way I was happy the X-Pro 1 was in my hands and my Canon Pro body was at home.

Fujifilm X-Pro 1 – 35mm – ISO 6400 – f1.4 – 1/25 second

Eyes attuned to detail my legs trekked down the road stopping momentarily at a nearby notice board. Full of interesting events I focused my attention toward the centre of the board and set the lens to a shallow depth of field. Posters hung carelessly fighting for space. People hurried past ignoring the abundant plethora of words and information. Noticing the lack of interest my eyes lost focus and blurred the swamp of dictation before me. Briefly all I could see was vibrant colour – words became a jumbled mess.

I wanted to recreate the vibrant colour I had seen briefly so dashing through the menu, Velvia film simulation mode was locked and loaded. Colours popped and vibrance shone, E6 processing without the chemicals was proven to be the perfect combination. Slide film was reborn. Digital had finally made its modern move. The debate of film was no more.

Fujifilm X-Pro 1 – 35mm – ISO 1200 – f1.4 – 1/50 second

By now the light was falling into a darker trance. Contrast and shadows filled every space the moonlight burned textures reflecting an eerie glow. Gathering clouds surrounded the ball of light above. My camera pitched into the darkness. The frame was set, ticking time detailed the foreground as my camera’s ISO was pushed to capture the remaining light. The clouds formed clean white streaks which brushed the blackened sky. The halls magnificent towering peak almost formed a pirouette in the night sky as the clouds danced behind, stars twinkling in delight. The night show had begun.

Fujifilm X-Pro 1 – 35mm – ISO 5000 – f1.8 – 1/125 second

Walking along a busy Queen Street I felt like a photographic King as I noticed the printed word Queen on a window pane. Bathed in a strong red backlight (from an interior sign) I lined up the text to fill my viewfinder. The text stood strong with hardened edges as a the lens depicted the scene without colour bleed. I was more than impressed.

Fujifilm X-Pro 1 – 35mm – ISO 2500 – f5.6 – 1/220 second

Amassing on the monument of Fremantle’s heritage I found myself among the buildings that time forgot. The worn, cracked weathered limestone reflected the hastiness of the surrounds. Windows bound in formality repeated along the structure. Shadows formed across the strewed masonry filling shadows with amazing hues. My camera picked up the contrast with ease and the final shot stood still, the way time had left it.

Fujifilm X-Pro 1 – 35mm – ISO 1000 – f1.4 – 1/105 second

The detailed attention of the master sculptor filled my frame. His eyes fixated and focused at the sculpture at hand. Street light hit the bronze statue highlighting the shapes of his worn jacket and combed hair. Standing as still as the statue I locked focus, held my breath and proceeded to push the shutter. The almost depressing light engrossed the frame. Beautiful golden bokeh broke the scene into two as the emerging human shape jumped from the foreground. It was almost as the statue had come to life.

Fujifilm X-Pro 1 – 35mm – ISO 2500 – f1.4 – 1/15 second

Steps filled with a hurried pace as I travelled on my homeward journey. The chilled cold night air had won. The quest to test the Fujifilm X-Pro 1 was over. I didn’t need to eat any carrots as the camera was able to see into the darkness for me. High ISO and low light noiseless images had made this camera one of the best in my collection.

I hope you have enjoyed this two-part test. If you would like to see some more of my work be sure to subscribe to this page.

If you have any questions on the camera or any of the images feel free to ask them here or on my new collaborated website – F Stop Lounge – a site made by photographers for photographers.

Until next time – Happy Shooting

Who Needs Carrots When You Have A Fujifilm X-Pro 1?

Jul31

You don’t need carrots to see in the dark – you simply need a Fujifilm X-Pro 1. Hopefully the photos and story show just how this camera performs in low light when using high ISO – no need for those carrots anymore!

The soles of my shoes were wearing thin. Darkness surrounded me, I was now in the back streets of Fremantle. Rain was softly falling wetting my brow as I clutched my Fujifilm X-Pro 1 protecting it from the unknown surrounds. My backpack felt light as I picked up my pace. The sound of crackling leaves burst into the air as I stepped along the long cobbled paved path. Winter still had a hold on the air as I grasped my jacket ensuring zips were closed. The engineered 35mm lens was fixed tight onto the camera and my ISO control was set to extremely high. As I gazed around me the leaves on the trees were hanging onto flexing branches desperate not to fall. Cracked limestone buildings towered over me. Lonely lights lit the street as a car alarm silenced itself in the distance. Travelling along I noticed a doorway open almost inviting me in to escape the dampness of the cold street. I had never seen an open door in this area before. Steadying myself as the tripod I applied pressure to the smooth round shutter button.

Fujifilm X-Pro 1 – 35mm – ISO 3200 – f1.4 – 1/25 second

Passing the building with a disconcerting look for a welcome invite I found myself in an adjacent alleyway. Thick narrow walls swarmed the scene before me opening up briefly to form a dirty makeshift parking zone. An old neglected car sat lonely against the backlight.

The smell of rotting food filled the air as bouncing light filled the dark alleyway striking shapes along its path. Highlights and shadows formed, black and white was the clear choice as the light disappeared into the engulfing darkness. I bumped up my ISO to capture the little amount of light present before me. As I had no tripod I concentrated my mind and body to be in sync with the shutter action. I counted one, two and click. Instantly the camera came alive. Focus locked in pitch black conditions and the sound of the camera finishing its digital take on the scene was music to my ears. With excitement abound I pressed the large preview button, the clear LCD lit the world like a pot of gold at the end of a rainbow. Adjusting my eyes the result excelled my expectations.

Fujifilm X-Pro 1 – 35mm – ISO 6400 – f1.4 – 1/15 second

Passing a window with a fleeting glance a wall of words stood out. Instantly a warming fire coupled with a good read filled my mind. The colour scheme of the shelved text shouted out to the depressing street as I stood reading the titles before me. The thought of a good book and a fire was too good to pass. Lining the camera up to the cold plain window I composed my artistic angle and mashed my finger on the X-Pro 1’s retro shutter button.

Fujifilm X-Pro 1 – 35mm – ISO 3200 – f1.6 – 1/125 second

With Fremantle renowned for its small quaint stores I set out with a new stride turning my attention to closed doors or barred windows. I intended to capture the stillness of the earlier working day. Time passed on my quest, eventually I found myself looking through recessed windows and strong iron bars. The rear of a cafe was in full view. Feeling like a tidy criminal I cleaned the glass before me. Peeping through the camera’s hybrid viewfinder the scene hit my retina. The still scene suddenly jumped to life.

The old bicycle sign filled the empty cracked concrete floor. Couches sat unfulfilling their duties as respite for tired workers. The smell of freshly ground coffee brewed in my mind. Laughter and conversations emoted the scene; clatter of cutlery against white porcelain plates filled the air. The scene was alive. Without hesitating I continued to pursue my photographic journey.