How wants to go for a swim here?
Photographed at the beautiful Cottesloe Beach, Western Australia
THE HIGH RESOLUTION PHOTO CAN BE DOWNLOADED HERE
THE LOW RESOLUTION PHOTO CAN BE DOWNLOADED HERE
Photographed with the Fujifilm X-Pro 1
Until Next Time – Happy Shooting
A day at the beach – I don’t think there is a better way to start the month of March!
Sometimes the simplest photos make the best photos. What do you think? Is this photo too boring?
Photographed at Cosy Corner, located near Albany in Australia’s south west.
THE FULL RESOLUTION PHOTO CAN BE DOWNLOADED HERE
THE LOW RESOLUTION PHOTO CAN BE DOWNLOADED HERE
Until Next Time – Happy Shooting.
Iridescent clouds passed the reflective ocean tide. The lone paddle border waited with patience for the wave seemed a scarce occurrence. His gaze was fixed on the lonely horizon. The still ocean didn’t seem to want to break the glassy norm.
I could see his shoulders shrug with a sigh. Maybe it was a moment of relaxation or frustration, I’m not quite sure as he seemed to be somewhat transfixed in the moment.
Paddle ready the border balanced afloat the watery mass. From no where the glistening watery surface gained in height to form an elusive wave. A powerful strong standing stroke aligned the nose of the board to the beach. The paddler elevated gracefully with the energetic wave.
Awaiting the wave – the moment had arrived. The short thrill of a ride, a journey of freedom and escape.
THIS FULL RESOLUTION PHOTO CAN BE DOWNLOADED FOR FREE
Photographed with the Fujifilm X-Pro 1
Until Next Time – Happy Shooting
Have you ever sat in an amazement of a sunset in awe of its grandeur and beauty?
Yesterday I was fortunate to witness one of the world best sunsets at Cottesloe Beach located in Western Australia. I feel privileged to share this photograph with you and hope the best sunset in the world will bring some colour into your life. May you be inspired to create and share.
THIS FULL RESOLUTION PHOTO CAN BE DOWNLOADED FOR FREE – CLICK HERE
Photographed with the Fujifilm X-Pro 1
Until Next Time – Happy Shooting
I’m back from my little trip away! It feels great to be back in the chair after having a small holiday. I will be planning on posting a few images in the next few weeks in between editing a beautiful wedding photographed in Perth.
This ethereal photograph was taken as a two image stitch on the beautiful Fujifilm X-Pro 1 using Velvia mode.
Check out my last Middleton Beach photograph and story here.
Until next time – Happy Shooting.
I watched as the darting bird stealthily fished beyond the reaches of my telephoto lens. The bird dove with tucked wings from a standing height; water erupted on the horizon as the bird breached the surface chasing a scaly meal from the watery depths below.
The choice of a telephoto lens was rewarding, I was able to separate the common predator from the breaking waves and colourful ocean hues. It’s such a shame the Tern returned to shore without a prize meal as it would have made the photo into a masterpiece. I suppose that is what wildlife photography is all about, you may capture a great image you may not – it can be so unpredictable if you don’t know what you are looking for. You simply have to perceive and eventually the behaviour of an animal will become known. It is only then you can master the art of wildlife photography.
Until next time – Happy Shooting.
Wind swept through my hair as I left the car park. Keeping to the sandy path the sight of dune grasses dancing in the breeze caught my eye. I felt the cold gritty sand between my toes which instantly translated into a shiver throughout my body. My warm woollen jumper cut the air as the storm approached. I felt alive.
The outdoors was smelling like a salt pan. The developing scene before me was a place where lifesavers swam and whales sang. Middleton beach was a special place for so many people. Stories unfolded as my camera pointed in different directions. I could see people engaging with others as mans best friend yapped at the approaching tide. Laughing children ran with excitement giving chase to unsuspecting seagulls which tumbled into mid-air. The beach was alive and entertaining.
Waves rode close to the ocean shoreline crashing with anger. The distant sounds of conversations were muffled by the developing gusts. Crashing waves echoed in my mind as I lined up the composition. The tripod was sturdy and heavy in my hand. Brushing sand from the lens I had to take the shot before the storm rolled in – rain was no friend to my camera. Flickering light caught my attention as it shone boldly through the passing clouds. Emu Point dotted on the horizon was disappearing due to the sand storms forming along the beach. As I adjusted my focus the light broke from the cotton wool blanket above me. The beach grasses shone with vibrance. The colour jumped out and was lifted from the white beach canvas. Shadows filled with an array of colour while the ocean danced with aquas and blues.. I was photographing mother nature at its grandest. The light show had begun.
This review is based solely on my own opinion about the camera. I have been using the X-Pro 1 since the beginning of May and have seen some amazing results.
All my photographs were taken as a RAW file and edited in some way using Adobe Lightroom 3/4 or Adobe Photoshop CS5.
I have spread my thoughts on this camera across different aspects that are important to me. If you are after a detailed spec review then this is not the site for you. This review is based on a user experience the highs and the lows….so lets get started!
To celebrate the camera’s ability to shoot in low light I put this video together. Enjoy.
Fujifilm have managed to design the X-Pro 1 with style, class and quality. The full metal body speaks highly of the cameras design. The X-Pro 1 fits like a glove. The sleek stylish curved body accentuates and oozes quality. Many say a poor man Leica? I say touch of class.
However there are a few things that I don’t like so much about the camera. I’ll get into those later on.
I have found the bold black magnesium alloy shapes aesthetically pleasing. The designer in my has ignited. I simply wanted to get my hands on one. Two months later and I am thankful I have one.
Having a history with professional DSLR cameras the physical size of the camera and lens combinations have been a pleasure to hold. Most compact pro cameras out there have simply been too small. The Olympus OM-D EM5, Nikon V1, Sony Nex 7 and Panasonic Lumix DMC-GX1 have all been in my hands before, all of which have lost their appeal due to their compact size (the closest thing to comfort out of these cameras would have to be the Olympus OMD with the grip on). Don’t get me wrong the other cameras out there take a great photo – what I am trying to say is coming from a Pro DSLR background, the Fujifilm X-Pro 1 simply feels better in my hands.
I think the Japanese do things well. For a camera to be in my kit it must be made in Japan or Germany. Quality is Japan and German – period. Luckily the X-Pro 1 was forged in Japan otherwise I wouldn’t even touch it!
All the buttons are ergonomically designed to fit the users hand. One of the main features I like about the design was the placement of the viewfinder. Too many cameras have the viewfinder in the middle. When you press your eye up against the viewfinder your nose becomes jammed up against the LCD which eventually smears the screen The X-Pro 1 has fixed that problem by moving the viewfinder to the side of the camera.
DIALS
The dials on the camera also reflect Fujifilm’s attention to detail. As you turn the on/off switch, the shutter speed dial or the exposure compensation dial you can be assured of the change as each movement is confirmed with a solid “click” as the dial moves into place. I have read a few reviews in my time and played with many cameras. One big issue for Fujifilm on the earlier X100 was the mode dial would move if you bumped it. This hasn’t been a problem on the X-Pro 1 as Fujifilm have added a much-needed lock on the shutter speed dial.
Coming from a Canon background I found when looking through the viewfinder navigating the button and dial configuration seemed second nature. When reviewing images on the 3 inch screen or through the 1,230,000 dot electronic viewfinder the colour and detail was very close to what I saw through my own eyes.
Hybrid viewfinder. Now there’s an idea. I found myself using this feature all to often. I’ll give you an example. I was photographing some stars on a moonless night near Pemberton, Western Australia. I travelled there only to find there was no bright light source to set my focus on. I had two cameras with me the Canon EOS 1D MK IV and the Fujifilm X-Pro 1. After setting both up on tripods I attempted to gain focus on the Canon. Using only the optical viewfinder I set the focus point to the center point and half pressed the shutter button. The Canon 17-40mm f4 L lens whirred and hunted back and forth trying its best to focus on the brightest star in the sky. After five minutes of trying I had no luck. I’m sure if the Canon could talk it was saying “I think I can…I think I can…” My eyes were too bad to attempt to manually focus so the camera was useless on this occasion. The Fujifilm X-Pro had its chance.
I set the hybrid viewfinder to the electronic viewfinder. WOW! I was blown away. Not only could the camera focus in almost pitch black it was like I was looking through a window into clear daylight. The electronic viewfinder boasted amazing quality and only took less than a second to gain autofocus! To this day I am still amazed a camera can perform better than how I see in low light. Fujifilm clearly got something right!
X-PRO 1 – 18mm – ISO 400 – f2 – 30 secs
The camera’s menu took a bit of getting use to. Although after the first week I seem to have mastered it.
Conveniently placed the menu button sits nestled in-between the selector keys. Once pressed the shooting menu tab is the first out of eight tabs to be displayed – five of which are camera settings and the remaining are playback settings.
Previously on the Fujifilm X100 menu you had to fight your way through various functions to get to the next page of settings. The main menu on the X-Pro 1 has been laid out with some thought – thanks Fujifilm for listening! The X-Pro 1 menu allows you to bypass all the unwanted settings by selecting a tab on the left hand side. Navigating your way around the menu is simple. The selector keys scroll up, down, left and right while the command dial controls the function of the mode you have selected.
For changing settings on the fly the X-Pro 1 features a Q (Quick) button. 15 of the most common settings appear as symbols on the back LCD allowing you to bypass the main menu. I was able to control what settings appeared on the Quick menu as the camera allowed 7 different custom screens. Each custom screen allowed me to save my favourite camera settings to the quick menu. For example I set a custom quick menu for low light shooting which centred around ISO and bracketing controls; the other custom menu was set for landscape photography where I pre-saved my film simulation mode to Velvia.
I think without the Quick mode Fujifilm would have made a huge mistake. This button was designed to keep the user out of the menu so they could spend more time shooting and it certainly worked for me!
Check out the video from the Fuji Guys on how the new menu works.
ISO can be set to the following:
L (100), 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400
Auto (400), Auto (800), Auto (1600), Auto (3200)….ok now that’s over….. I tended to use ISO 400 right through to ISO 2500.
The camera has really challenged me with my photography. I am so used to carrying my clunky tripod or flash to capture the dimly lit scenes in life. With the X-Pro 1 I didn’t have to worry about all the other photographic paraphernalia. I was able to go anywhere and photograph anything.
Setting the ISO control to 3200 my head was telling me ARRRGHHHH what are you doing???? I wanted to explore the camera…I mean if Fujifilm were going to put a setting on the camera it had to be good right? I had to test it – sort of like when you have to test if the paint is dry just after painting…I got that feeling! The question was at ISO 3200 was there going to be noise?
Really ISO 3200?
BOOM!
No noise.
The shutter had been pressed when shooting some low light urban scenes in Melbourne and Fremantle and look no noise! Crazy!
This would definitely be one of the very best features on the camera. High ISO with no noise. What more could I want?
Fujifilm X Pro 1 – ISO 2500 – 35mm – f1.4 – 1/170sec – Split Toning in Adobe Lightroom 4.
Fujifilm X-Pro 1 – 18mm – ISO 200 – f10 – 5 secs
Fujifilm X-Pro 1 – 18mm – ISO 200 – f10 – 30 sec
Fujifilm X-Pro 1 – 18mm – ISO 200 – f2 – 1/4 sec
HD Video on the X-Pro 1 is a feature I am still dabbling in. However if you want to see what the quality is like at 720p I found this video showcasing the video quality. Remember to change the YouTube video setting to 720P HD for better viewing quality.
This sort of setting is not new for me. I have used this setting mainly on compact Fujifilm, Olympus, Canon and Sony cameras. The first series of cameras to bring this feature out were …how do I put it….crap.
The X-Pro 1 must have majored in sweep panoramas at production school! When it comes to sweeping the X-Pro 1 knows! The quality of the stitch is seamless if done correctly.
I pushed the camera to the limits by acting as a drunk and even portraying the smoker withdrawal shake. The pictures weren’t pretty….lets just say I found the limit. This mode is definitely not for the drunks. To be expected there were some problems with stitching due the rapid hand shake. My advice would be to use a tripod or monopod if you like your drink or smokes and suffer from withdrawals…this camera setting isn’t for you….but for everyone else all you need is a steady hand and you will be fine. This is the result in a high contrast scene. The outdoor light was pouring in and I don’t think I could have photographed this almost 180 degree view without the use of the sweep panorama mode.
Fujifilm X-Pro 1 – 35mm – ISO 1000 – f8 – 1/60 sec – Sweep Panorama Mode
Power consumption was probably one of my only dislikes on the camera (maybe because I used it so much!)
The CIPA (Camera and Imaging Products Association) standard is said to be 300 images from one charged battery. CIPA test under strict conditions. Each camera is turned on, the shutter button is pressed once taking a photo and the camera is then turned off. The process is repeated until the camera won’t turn on again. Fujifilm reached 300 cycles.
Fujifilm amped up the power from the previous X100’s NP-95 battery to the new Fujifilm NP-W126 battery. I would definitely recommend a spare as I found myself running out of power too often. The battery drain can really be likened to a car. Performance vehicles use a lot of fuel so really you should expect the X-Pro 1 to use a lot of battery.
The XF lens system has produced some amazing results. No detail was spared when designing these lenses. The tow lenes I have been using are the Fujifilm XF 18mm F2 R and the Fujifilm XF 35mm f1.4 R. My favorite out of the two would have to be the 35mm as it gives a true representation to what I see. Recently Fujifilm announced the XF 14mm f2.8, 18-55mm f2.8-4, 56mm f1.4, 27mm f2.8, 55-200mm f3.5-f4.8 and the new 10-24 f4.
I just wish I had the 10-24mm as it would provide a nice wide-angle for shooting my landscapes. Currently I am stitching all my photographs which is quite time-consuming.
Pictured below is the road map of Fujifilm XF lenses which will be released shortly.
Overall I think when it comes to reviewing a camera the image detail is one of the most important things. I won’t write too much more on this subject as the Jpeg images taken on the APS-C sized senor will show you . Take a look.
Fujifilm X-Pro 1 – 35mm – ISO 400 – f8 – 1/3000 sec
100% Crop
Fujifilm X-Pro 1 – 35mm – ISO 1000 – f2 – 1/300 sec
100% Crop
Fujifilm X-Pro 1 – 35mm – ISO 400 – f8 – 1/200 sec
100% Crop
Fujifilm X-Pro 1 – 35mm – ISO 400 – f8 – 1/4000 sec
100% Crop
THUMBS UP:
Full sized compact pro – fitted perfectly in my hands
High ISO with extremely low noise. I was able to shoot ISO 3200 with no problems at all.
Quick Menu allowed me to bypass the main menu for ease of operation
Hybrid Viewfinder worked well in low light situations.
Horizon tool on the rear LCD allowed me to get all my landscapes straight!
Magnesium alloy body meant I could take the camera anywhere without any problem.
XF lenses – clean, sharp and crisp – especially the 35mm f1.4
Amazing detail due to the removal of the low pass filter
Camera strap – the underside of the strap was rubberized and provided good grip. Never slid off my shoulder!
THUMBS DOWN:
Battery life – didn’t seem to last two days of shooting.
Diopter adjustment lens seemed to want to unscrew itself from the camera. I found it in my camera bag on one occasion.
Slow start-up time (compared with a Pro DSLR)
Overall I can recommend this camera to the keen enthusiast or professional photographer. The camera is light and perfect as a stand alone or second body. Shooting in low light stacks up against some of the bigger players like the Canon 5D MKIII and Nikon D800. I think the removal of the low pass filter to mimic film has paid off. Fujifilm have really developed a ground breaking camera adding to the overall success of the X series camera lineup. I look forward to seeing what other photographic boundaries can be pushed by Fujifilm in the coming year and I’m sure the X-Pro 1 will be just one of many X series cameras to wow the photographic world.
Until next time – Happy Shooting!
The evolving storm clouds masked the last of the warming light. The sound of the ocean was threatening with wave after wave crashing against the battered landscape. Rock hopping with tripod in hand and camera bag on my tired shoulders I fought my way against the howling wind.
Quickly constructing my tripod I felt like a soldier assembling a weapon. Clouds swarmed above me blackening the sky. By now the ocean was tumbling and churning – the storm was rolling in. The reflection usually seen on the surface of the water was nowhere to be seen instead violent ripples formed by the wind accelerated across the water.
Taking in the scene for a few minutes I noticed a pattern was developing from the break as it left the shore. The streaming water quickly invaded the shoreline filling every gap, stopping briefly then retreating back into the ocean. I was inspired to capture the ocean rhythm playing around me.
Attaching the fish eye lens to the camera I changed the camera’s settings with solid clicks as my numbing fingers fought the bitter cold. Looking through the viewfinder I was presented with an almost ethereal scene. Light bounced about on the surface of the detailed rocks while water came from all directions filling the frame with a juxtaposing smooth finish.
Developing this image in Photoshop I am convinced there should be more photographs like this – dark and gloomy. Not every landscape scene should have golden light. Right?
I hope you enjoy this photograph.
Until Next time – Happy Shooting.
The last 3 days I have been quite sick so sorry for the lack of posts.
I crawled to the computer to put this video together for CameraED – “Week 3 – Sunset Photography”
I hope you learn a few tips.
And here are some of the photographs from the day
I feel an amazing sense of joy when I am asked to photograph a couple’s wedding day. Portraying emotions through photographs is truly a rewarding experience for my myself and my team.
The love shown between the couple on the day is truly the one element that rises over all other aspects in my wedding photography. I never want to stage a photo I simply want to capture the moment as it happens. What makes wedding photography so emotional rewarding for me is the sense of capturing timeless moments and sharing them with the couples family and friends.
Over the last month (June) I have set myself the challenge to share some photographs from a recent wedding I photographed in the south west of Western Australia. These final five images complete the wedding photograph. I do hope you have enjoyed sharing in the many emotions of this recent wedding.
If you would like to learn more about wedding photography by Leigh Diprose Photography you can visit one of my many sites like – Brides Perth
Towards the end of the year there will be a brand new site combining all of my websites. So stayed tuned.
Until next time.
Happy Shooting.
I wanted to see what the Full HD video would be like on the Fujifilm X Pro 1 so I headed for the sand dunes…..
CAUTION: This video may put you to sleep ;)
The final photos photographed with the Fujifilm X Pro 1 can be seen below.
Fujifilm X Pro 1 – ISO 200 – 35mm – f1.6 – 1/3800 sec
Fujifilm X Pro 1 – ISO 200 – 35mm – f8 – 1/550 sec
Fujifilm X Pro 1 – ISO 200 – 35mm – f8 – 1/1100 sec
Fujifilm X Pro 1 – ISO 200 – 35mm – f16 – 1/640 sec
Fujifilm X Pro 1 – ISO 200 – 35mm – f8 – 1/400 sec
Fujifilm X Pro 1 – ISO 200 – 35mm – f9 – 1/450 sec
Fujifilm X Pro 1 – ISO 200 – 35mm – f16 – 1/350 sec
Hey All,
I’ve been lucky enough to be given a Fuji X-Pro1 by Leigh Diprose for the last few days to give it a road test and see what I can do with it. I was heading away for the weekend already, so I took the X-Pro1 on a bit of a road trip around the south of Western Australia. My very initial impressions of the Fuji X-Pro1 is that it has an exceptional build quality, the camera is quite nice to hold even with my large hands, many of the smaller cameras seem to get lost in my hands. The controls are all fairly intuitive and very accessible, with in minutes of picking it up I was able to use most of the functions I would normally use on my dSLR.
First stop was about 3 hours drive out of Perth, I’m a sucker for clear night skies, we are lucky enough to have very little light pollution here in the west. I decided to give the Fuji a go at some star photography, normally I’d photograph this with my dSLR as it has quite good high-ISO performance.
Milky Way – Fuji X-Pro1
This image was photographed at ISO1600, f2.8 and a 30 second exposure. The camera was in single shot mode and this is a RAW image with minimal processing. Within the first 3 images I was incredibly impressed by the high ISO performance, there isn’t a huge amount of noise in this image and the clarity in the RAW image is exceptional. The straight jpeg was very similar to this RAW file that I’ve just added some sharpening to.
Dawn – Fuji X-Pro1
ISO1600, f2.0, 1/4000. This is a straight jpeg out of the camera with no adjustments, I’ve just resized it and added my signature. The noise levels are very acceptable, I’d have no issues printing this image fairly large. I’m very impressed with the dynamic range of the sensor too.
One of the more interesting modes I found for shooting was the automatic panoramic mode, you set the camera at your start point, press the shutter and sweep the camera from left to right, it then takes a series of images and stitches them together.
Fuji X-Pro1 – Panoramic mode
This is a slightly adjusted panoramic image, photographed with the Fuji X-Pro1 in panoramic mode. f4.0, ISO400, 1/220 the final full sized image is 5120 x 1440 px, so definitely a printable size.
Salt Lake – Fuji X-Pro1
This was photographed at: f8, 1/1500 and ISO800. I’ve done some processing in Adobe Camera RAW, the files are very flexible and retain a lot of detail.
Secluded Beach – Fuji X-Pro1
A RAW image with some minor tweaks in Camera RAW.
Overall I’m very impressed with the camera, I think it would make the perfect travel camera for someone who is accustomed to having professional level gear with them, but doesn’t want to have to carry it all over the world! This camera is definitely aimed at the enthusiast / semi-pro photographer, it has more than enough manual functions to keep any photographer happy, while retaining enough automatic modes to make it easy enough for the beginner to use. The files it’s 16mp sensor produces are very clean and very ready to print!
I have the camera for a few more days so I’m going to be trying out a few more seascape type images and a few other subjects. I’m definitely going to look into getting one, I’d really like to take one with me to Cambodia in September, I think it would be the ideal camera for the photo-journalist / documentary and street photographer.
Regards
Paul Pichugin
I found myself standing in front of billions of grains of sand forming a monumental mountain. The dirt danced in the air as short breaths of wind thrust the sand about. The wind howled, choreographing its own sandy air show. Sand clouds appeared before me – rising and falling in unison as they laid to rest upon the great dune. The sand was forever forming and changing.
I had a small window of opportunity to capture the magnificent wonder. My time was short and my lips were becoming parched from the windy conditions. I felt the threat of rain steadily approaching as the blackening gang of clouds rolled over toward me.
The camera strap felt secure around me neck as the cold wind tried to flatten me. My heels buried into the forgiving sand as I lined up for the shot. With a short steadying breath and cold metal pressed to cheek, I clicked the shutter button forging my first photo. The light and dark tones seemed to jump from the rear screen as I deciphered the small details of the dune. Upon noticing the detail it struck me the entire dune simply did not fit onto the small screen on the back of the camera – the dune was simply too big. Thinking about my options I decided to return the camera to a vertical shooting position and attempt a multi row panoramic.
My excitement to capture the perfect formation was child like. From left to right, overlapping RAW photos fired off one after another to replicate the scene in front of me. Full of energy and a spring in my step I proceeded to the car after the files saved quickly to the memory card. My thoughts of marrying the photos together and applying an artistic touch were unfathomable. I simply couldn’t wait to get home and put the photographs together.
I have included the original RAW photos below and additionally captured my screen as I turned the merged photos into a fine art photograph.
The above photos were stitched together using PTGui Pro
then edited using Adobe Photoshop CS5.
The end result
LEIGH DIPROSE 