Rottnest Island is surrounded by pristine waters and only a short trip from the mainland making it a great weekend getaway. The locals refer to the island paradise as ‘Rotto’. For me this photograph captured on the Fujifilm X-Pro 1, sums up the island perfectly. Pristine beaches, clear water and amazing views – what more could you want? You can even see the City of Perth (which is my hometown) on the distant horizon!
Iridescent clouds passed the reflective ocean tide. The lone paddle border waited with patience for the wave seemed a scarce occurrence. His gaze was fixed on the lonely horizon. The still ocean didn’t seem to want to break the glassy norm.
I could see his shoulders shrug with a sigh. Maybe it was a moment of relaxation or frustration, I’m not quite sure as he seemed to be somewhat transfixed in the moment.
Paddle ready the border balanced afloat the watery mass. From no where the glistening watery surface gained in height to form an elusive wave. A powerful strong standing stroke aligned the nose of the board to the beach. The paddler elevated gracefully with the energetic wave.
Awaiting the wave – the moment had arrived. The short thrill of a ride, a journey of freedom and escape.
THIS FULL RESOLUTION PHOTO CAN BE DOWNLOADED FORFREE
Have you ever sat in an amazement of a sunset in awe of its grandeur and beauty?
Yesterday I was fortunate to witness one of the world best sunsets at Cottesloe Beach located in Western Australia. I feel privileged to share this photograph with you and hope the best sunset in the world will bring some colour into your life. May you be inspired to create and share.
THIS FULL RESOLUTION PHOTO CAN BE DOWNLOADED FORFREE – CLICK HERE
After editing more wedding photos I thought I would put together an Instagram inspired photo in photoshop before I call it a night/morning. I call it Instashop!
Instashop – I highly recommend giving this a go. Simply open your photo in Photoshop, crop to a square and play. Let me know what results you come up with by sending me a link on the blog or Facebook. I look forward to see some crazy results!
After working on weddings all of yesterday and this morning I decided to post another photo from my recent holiday.
The light in the South West of Western Australia is magnificent to photograph especially when the light warms the side of the hill as cool clouds roll by.
Photographed with the Fujifilm X-Pro 1 near Bridgetown, Western Australia.
PayPal is currently reviewing my business account so at this time gift certificates purchased through the Leigh Diprose Gallery can’t be purchased online. Donations have also been affected.
PayPal have assured me for a quick turnaround with the review of my account. I expect the outage to last around 1 or 2 weeks.
In the meantime if you wish to purchase a gift certificate or contribute a donation please contact me directly through email (leighdiprosephotography@yahoo.com.au) and I can offer an alternative solution whilst my account is being reviewed.
Thank you to everyone who has offered financial support so far either by purchasing a gift certificate, providing a donation or purchasing a photograph. It truly helps me provide more free photos for you all. In case you missed the news any wildlife or landscape photo I take next year I plan on providing the photo free to the public. All of these photographs will be Royalty Free with no copyright attached so you can download and use the photos for whatever you like. Currently I am providing two free photos a month however next year I plan to release at least 300 free fine art images for you all.
If you would like to find out why I am doing this then please follow the link to the previous post – “The Meaning Of Free”
Isn’t funny how we look for composition. Some of us practise it and for others it comes naturally.
My mother was an artist so composition came naturally to me. Maybe I was born with it….maybe its…..oh no that sounds like an ad! Seriously if you’re not born with composition then you will find it comes with practise. I think I learned how to compose an image as a child. Television and movies were my forte. Living in Sydney I would visit the cinema with a mate at least three times a month and the video rental card certainly got a work out too – normally 7 movies a week. When I watched a movie or TV show I would constantly look at the way the Director of Photography composed a scene. People were allocated head room and looking space…it was always consistent teaching. Two thirds looking room with the subject on a third line.
Want to learn composition but you don’t have the time to watch movies and TV? Don’t stress there is another way – bucket practice!
What the? Bucket practice I hear you say? Let me explain….start with some strong rope, a sturdy bucket (with metal handle) and some rocks. Attach the rope to the handle of the bucket. Throw the other end of the rope over an overhead strong horizontal beam. Measure so the bucket is hanging around chest height and tie off the rope again to the handle of the bucket. Add some rocks to the weigh down the bucket. Now your bucket will be hanging freely from a horizontal beam.
Hold the bucket and walk away from the hanging position so the rope is pulled tight. Release the bucket in any direction..for example swing the bucket left or right in circular motion or simply in a release it in a straight line. Once the bucket is in full swing pick up your camera with a telephoto lens attached and proceed to follow the bucket with the lens zoomed in all the way. This will take a bit of practice.
Once you have mastered following the bucket with the lens zoomed all the way try keeping your framing consistent by zooming in and out as the bucket moves towards or away from you. Try and make the bucket stay the same size. Spend about 10 minutes on this step. Once you have mastered following and framing proceed to the next step.
The next step requires a tripod and lots of practice. Set the camera up and turn your focus to manual. Proceed to do everything I mentioned above, keeping framing and zoom…..now simply add focus to the mix. This is hard but possible! You will now have two hands on the lens; one operating the zoom the other operating the camera’s focus…..let me know how you go!
All the hours of bucket practice has really helped my wildlife and sports photography. To this day I feel quite comfortable following a small bird through the viewfinder whilst maintaining framing and focus at 800mm.
Now back to the composition…
When out and about I’m constantly looking for leading lines and composition angles within my photographs. If I need to crop an image in post processing then I use the common third lines as a guide.
Don’t get me wrong. Not everything needs to be perfect. Sometimes rules are meant to be broken you simply just have to have the correct photograph to do it. I hear you say, when should they be broken Leigh? Simple answer….you just know…that’s what composition is about – producing a photograph that pleases the eye.
Take this photograph as an example. The birds lined up on the railing create a leading line to the bird looking in the other direction. See it?
So now I challenge you all, next time you are out with your camera don’t press the shutter button until you have composed the image first. In other words know what to shoot before you shoot it. Be sure to look for those leading lines too – they will make a big difference to your photography.
Published in The Sunday Times – Sunday, 29th June 2012
The article written by Emily Moulton on page 31 reads:
Power and the glory
THIS breathtaking shot of a female humpback having a whale of a time was taken off Albany.
The majestic creature entered King George Sound with her newborn calf a few weeks ago and was seen by whale watchers on board an Albany Ocean Adventures tour.
Fremantle photographer Leigh Diprose was one of those lucky passengers and captured this magical moment of the humpback breaching.
“It was on my bucket list,” Mr Diprose said. “The whale had a two-week-old calf with her and it was fantastic to have witnessed the calf trying to breach the water, then its mum came out of nowhere and started breaching. It was amazing.”
Paul Guest, from Albany Ocean Adventures, said the cow and calf stayed in King George Sound for about six days after this picture was taken – the first time a migrating humpback had done that in a long while.
“Normally they swim right on through,” he said. “It was a little unusual. You could also tell the calf was very young, less than two weeks old.
“Its dorsal fin was still bent over. It straightens up after 14 days.”
If you like the photo feel free to download it:
I release two free photos every month. The full resolution photo of the humpback whale is one of the images you can download for free.
Simply click on the below image to download the photo for FREE
Feel free to share this page with family and friends.
Fujifilm Cameras Australia have come up with a brilliant concept for any photographer to have the opportunity to hijack their Facebook cover photo making them Fujifilm Famous for one month! This months theme is Australian Landmarks. Have you been anywhere in Australia that stands out?
If so I challenge you to go to the Fujifilm Cameras Australia page hit LIKE to hear about how you can become Fujifilm Famous! There is only 13 days left before the comp has finished. So get to it! This was my entry I posted on the Fujifilm Cameras Page to become Fujifilm Famous! I took this photo of the Sydney Opera House from the Harbour.
As a photographer I have travelled around various places and seen some amazing sites…some of them I didn’t even have a camera with me! Oh No! One of my favourite places to visit here in Western Australia would have to be around Geraldton area also known as the Coral Coast. The rocky coastline and beautiful sunsets are beautiful on any day. Whenever I head to the ocean around that area I can always rely on capturing something special.
Taking about taking special photos, the last two Fujifilm Famous hijackers have had some really amazing photographs. This months photographer is Paul Pichugin who found some amazing water detail along the West Australian coastline. What an amazing photographer and an amazing image don’t you think? The clouds on the distant horizon seem tame compared with the swirling water in the foreground and I love the way the water trickles over the rocks creating a cascading waterfall. Simply beautiful.
The previous months Fujifilm Famous photographer, Sue-ann Tilby captured another beautiful sunset which rocked the community on the Fujifilm Cameras Australia Facebook page. The colour in this image is simply amazing! I would certainly have a big smile on my face if I captured this image. I’m sure Sue-ann did! Have you ever tried taking a photograph like this before? Why not get out this weekend and give it a go then share it with the world so everyone can see it….who knows you might be the next Fujifilm Famous photographer!
I am planning a beach shoot this weekend down at my local beach however I don’t think I can match these two photographers….however I will give it a go.
I’ll leave you with this question: If you could go anywhere in the world to take a photograph where would it be?
Wow! When I got a message from Paul Guest from Albany today I was excited. He told me my photograph had made it to the front cover of the local paper – The Great Southern Weekender. The Great Southern Weekender has a circulation of just over 20,000 homes and businesses. Thanks also to Shawn Haywood from Geraldton (one of my favourite places!) who ended up telling someone in Albany about the photo…who told someone else…and so on….
I would like to thank Albany Ocean Adventures for the true adventure photographing such an amazing animal – the Humpback Whale. Paul was so knowledgeable about the whales and put the boat in the perfect position to take the photo. If you ever get the chance to get to Albany be sure to book a trip whale watching aboard the Silver Star with Albany Ocean Adventures.
Paul Guest from Albany Ocean Adventures
Also I have made this photo FREE for everyone to use. Click on the image to download.
This review is based solely on my own opinion about the camera. I have been using the X-Pro 1 since the beginning of May and have seen some amazing results.
All my photographs were taken as a RAW file and edited in some way using Adobe Lightroom 3/4 or Adobe Photoshop CS5.
I have spread my thoughts on this camera across different aspects that are important to me. If you are after a detailed spec review then this is not the site for you. This review is based on a user experience the highs and the lows….so lets get started!
To celebrate the camera’s ability to shoot in low light I put this video together. Enjoy.
DESIGN
Fujifilm have managed to design the X-Pro 1 with style, class and quality. The full metal body speaks highly of the cameras design. The X-Pro 1 fits like a glove. The sleek stylish curved body accentuates and oozes quality. Many say a poor man Leica? I say touch of class.
However there are a few things that I don’t like so much about the camera. I’ll get into those later on.
I have found the bold black magnesium alloy shapes aesthetically pleasing. The designer in my has ignited. I simply wanted to get my hands on one. Two months later and I am thankful I have one.
Having a history with professional DSLR cameras the physical size of the camera and lens combinations have been a pleasure to hold. Most compact pro cameras out there have simply been too small. The Olympus OM-D EM5, Nikon V1, Sony Nex 7 and Panasonic Lumix DMC-GX1 have all been in my hands before, all of which have lost their appeal due to their compact size (the closest thing to comfort out of these cameras would have to be the Olympus OMD with the grip on). Don’t get me wrong the other cameras out there take a great photo – what I am trying to say is coming from a Pro DSLR background, the Fujifilm X-Pro 1 simply feels better in my hands.
I think the Japanese do things well. For a camera to be in my kit it must be made in Japan or Germany. Quality is Japan and German – period. Luckily the X-Pro 1 was forged in Japan otherwise I wouldn’t even touch it!
CAMERA LAYOUT
All the buttons are ergonomically designed to fit the users hand. One of the main features I like about the design was the placement of the viewfinder. Too many cameras have the viewfinder in the middle. When you press your eye up against the viewfinder your nose becomes jammed up against the LCD which eventually smears the screen The X-Pro 1 has fixed that problem by moving the viewfinder to the side of the camera.
DIALS
The dials on the camera also reflect Fujifilm’s attention to detail. As you turn the on/off switch, the shutter speed dial or the exposure compensation dial you can be assured of the change as each movement is confirmed with a solid “click” as the dial moves into place. I have read a few reviews in my time and played with many cameras. One big issue for Fujifilm on the earlier X100 was the mode dial would move if you bumped it. This hasn’t been a problem on the X-Pro 1 as Fujifilm have added a much-needed lock on the shutter speed dial.
Coming from a Canon background I found when looking through the viewfinder navigating the button and dial configuration seemed second nature. When reviewing images on the 3 inch screen or through the 1,230,000 dot electronic viewfinder the colour and detail was very close to what I saw through my own eyes.
VIEWFINDER
Hybrid viewfinder. Now there’s an idea. I found myself using this feature all to often. I’ll give you an example. I was photographing some stars on a moonless night near Pemberton, Western Australia. I travelled there only to find there was no bright light source to set my focus on. I had two cameras with me the Canon EOS 1D MK IV and the Fujifilm X-Pro 1. After setting both up on tripods I attempted to gain focus on the Canon. Using only the optical viewfinder I set the focus point to the center point and half pressed the shutter button. The Canon 17-40mm f4 L lens whirred and hunted back and forth trying its best to focus on the brightest star in the sky. After five minutes of trying I had no luck. I’m sure if the Canon could talk it was saying “I think I can…I think I can…” My eyes were too bad to attempt to manually focus so the camera was useless on this occasion. The Fujifilm X-Pro had its chance.
I set the hybrid viewfinder to the electronic viewfinder. WOW! I was blown away. Not only could the camera focus in almost pitch black it was like I was looking through a window into clear daylight. The electronic viewfinder boasted amazing quality and only took less than a second to gain autofocus! To this day I am still amazed a camera can perform better than how I see in low light. Fujifilm clearly got something right!
X-PRO 1 – 18mm – ISO 400 – f2 – 30 secs
MENU
The camera’s menu took a bit of getting use to. Although after the first week I seem to have mastered it.
Conveniently placed the menu button sits nestled in-between the selector keys. Once pressed the shooting menu tab is the first out of eight tabs to be displayed – five of which are camera settings and the remaining are playback settings.
Previously on the Fujifilm X100 menu you had to fight your way through various functions to get to the next page of settings. The main menu on the X-Pro 1 has been laid out with some thought – thanks Fujifilm for listening! The X-Pro 1 menu allows you to bypass all the unwanted settings by selecting a tab on the left hand side. Navigating your way around the menu is simple. The selector keys scroll up, down, left and right while the command dial controls the function of the mode you have selected.
For changing settings on the fly the X-Pro 1 features a Q (Quick) button. 15 of the most common settings appear as symbols on the back LCD allowing you to bypass the main menu. I was able to control what settings appeared on the Quick menu as the camera allowed 7 different custom screens. Each custom screen allowed me to save my favourite camera settings to the quick menu. For example I set a custom quick menu for low light shooting which centred around ISO and bracketing controls; the other custom menu was set for landscape photography where I pre-saved my film simulation mode to Velvia.
I think without the Quick mode Fujifilm would have made a huge mistake. This button was designed to keep the user out of the menu so they could spend more time shooting and it certainly worked for me!
Check out the video from the Fuji Guys on how the new menu works.
Auto (400), Auto (800), Auto (1600), Auto (3200)….ok now that’s over….. I tended to use ISO 400 right through to ISO 2500.
The camera has really challenged me with my photography. I am so used to carrying my clunky tripod or flash to capture the dimly lit scenes in life. With the X-Pro 1 I didn’t have to worry about all the other photographic paraphernalia. I was able to go anywhere and photograph anything.
Setting the ISO control to 3200 my head was telling me ARRRGHHHH what are you doing???? I wanted to explore the camera…I mean if Fujifilm were going to put a setting on the camera it had to be good right? I had to test it – sort of like when you have to test if the paint is dry just after painting…I got that feeling! The question was at ISO 3200 was there going to be noise?
Really ISO 3200?
BOOM!
No noise.
The shutter had been pressed when shooting some low light urban scenes in Melbourne and Fremantle and look no noise! Crazy!
This would definitely be one of the very best features on the camera. High ISO with no noise. What more could I want?
Fujifilm X Pro 1 – ISO 2500 – 35mm – f1.4 – 1/170sec – Split Toning in Adobe Lightroom 4.
Fujifilm X-Pro 1 – 18mm – ISO 200 – f10 – 5 secs
Fujifilm X-Pro 1 – 18mm – ISO 200 – f10 – 30 sec
Fujifilm X-Pro 1 – 18mm – ISO 200 – f2 – 1/4 sec
MOVIE
HD Video on the X-Pro 1 is a feature I am still dabbling in. However if you want to see what the quality is like at 720p I found this video showcasing the video quality. Remember to change the YouTube video setting to 720P HD for better viewing quality.
SWEEP PANORAMA
This sort of setting is not new for me. I have used this setting mainly on compact Fujifilm, Olympus, Canon and Sony cameras. The first series of cameras to bring this feature out were …how do I put it….crap.
The X-Pro 1 must have majored in sweep panoramas at production school! When it comes to sweeping the X-Pro 1 knows! The quality of the stitch is seamless if done correctly.
I pushed the camera to the limits by acting as a drunk and even portraying the smoker withdrawal shake. The pictures weren’t pretty….lets just say I found the limit. This mode is definitely not for the drunks. To be expected there were some problems with stitching due the rapid hand shake. My advice would be to use a tripod or monopod if you like your drink or smokes and suffer from withdrawals…this camera setting isn’t for you….but for everyone else all you need is a steady hand and you will be fine. This is the result in a high contrast scene. The outdoor light was pouring in and I don’t think I could have photographed this almost 180 degree view without the use of the sweep panorama mode.
Power consumption was probably one of my only dislikes on the camera (maybe because I used it so much!)
The CIPA (Camera and Imaging Products Association) standard is said to be 300 images from one charged battery. CIPA test under strict conditions. Each camera is turned on, the shutter button is pressed once taking a photo and the camera is then turned off. The process is repeated until the camera won’t turn on again. Fujifilm reached 300 cycles.
Fujifilm amped up the power from the previous X100’s NP-95 battery to the new Fujifilm NP-W126 battery. I would definitely recommend a spare as I found myself running out of power too often. The battery drain can really be likened to a car. Performance vehicles use a lot of fuel so really you should expect the X-Pro 1 to use a lot of battery.
LENSES
The XF lens system has produced some amazing results. No detail was spared when designing these lenses. The tow lenes I have been using are the Fujifilm XF 18mm F2 R and the Fujifilm XF 35mm f1.4 R. My favorite out of the two would have to be the 35mm as it gives a true representation to what I see. Recently Fujifilm announced the XF 14mm f2.8, 18-55mm f2.8-4, 56mm f1.4, 27mm f2.8, 55-200mm f3.5-f4.8 and the new 10-24 f4.
I just wish I had the 10-24mm as it would provide a nice wide-angle for shooting my landscapes. Currently I am stitching all my photographs which is quite time-consuming.
Pictured below is the road map of Fujifilm XF lenses which will be released shortly.
IMAGE DETAIL
Overall I think when it comes to reviewing a camera the image detail is one of the most important things. I won’t write too much more on this subject as the Jpeg images taken on the APS-C sized senor will show you . Take a look.
Full sized compact pro – fitted perfectly in my hands
High ISO with extremely low noise. I was able to shoot ISO 3200 with no problems at all.
Quick Menu allowed me to bypass the main menu for ease of operation
Hybrid Viewfinder worked well in low light situations.
Horizon tool on the rear LCD allowed me to get all my landscapes straight!
Magnesium alloy body meant I could take the camera anywhere without any problem.
XF lenses – clean, sharp and crisp – especially the 35mm f1.4
Amazing detail due to the removal of the low pass filter
Camera strap – the underside of the strap was rubberized and provided good grip. Never slid off my shoulder!
THUMBS DOWN:
Battery life – didn’t seem to last two days of shooting.
Diopter adjustment lens seemed to want to unscrew itself from the camera. I found it in my camera bag on one occasion.
Slow start-up time (compared with a Pro DSLR)
OVERALL
Overall I can recommend this camera to the keen enthusiast or professional photographer. The camera is light and perfect as a stand alone or second body. Shooting in low light stacks up against some of the bigger players like the Canon 5D MKIII and Nikon D800. I think the removal of the low pass filter to mimic film has paid off. Fujifilm have really developed a ground breaking camera adding to the overall success of the X series camera lineup. I look forward to seeing what other photographic boundaries can be pushed by Fujifilm in the coming year and I’m sure the X-Pro 1 will be just one of many X series cameras to wow the photographic world.
I was challenged after seeing a Facebook post from ABC 1 TV program “Photo Finish”. The brief was simple – “Submit the most creative and imaginative photograph you can – it can capture or depict anything you like! There is a trick to it though, every photo must include a camera lens somewhere in the shot. The lens can appear anywhere in the photo, but it must be there!”
I quickly got to work and compiled three images that were going to tell a story. The photos were taken using the Fujifilm X Pro 1 and Canon 1D MK IV.
Image 1 – The old fire place to ignite the photo
Image 2 – Some ghostly clouds to add some atmosphere
and lastly a photo of my old Canon 400mm f/5.6L USM lens
The next step was to combine the photos in Photoshop to meet the competition brief
Cameras and technology have changed so much in the past 12 months not to mention the last decade. I have been involved within the imaging industry now for over 13 years and have seen many advances from the first 1.3MP Kodak Easyshare camera to the ground breaking 36MP Nikon D800E. Throughout my time in the photography world one thing has always remained – the chase for the best camera design whilst still delivering perfect image quality – enter the Nikon 1 series.
You see at first I was sceptical when I first saw this camera. I thought to myself can such a small sensor produce sharp images; and the look of the camera…was this even a camera?…was Nikon serious? A day out with the camera was going to change my mind.
I jumped in the car with the small white camera in my hand and the spare lens nestled in my pocket. The sun was out and the streets were busy. I decided to head to the local markets – the famous Fremantle Markets.
I noticed a crowd had gathered near the entrance to the markets and I thought it would be a perfect opportunity to photograph some candid portraits. In the past I hadn’t had much success with street photograph due to my big Canon DSLR – most of the time I was discouraged by local authorities – this didn’t even present as a problem with the Nikon V1. I was encouraged to join in the fun as the crowd encouraged the local entertainer to perform insane stunts. I found myself in awe of the talented busker. He had the myself and the crowd engrossed in the performance. I anticipated a perfect moment was about to present itself so I switched the camera to video mode and set the quality to Full HD. The busker didn’t disappoint, he proceeded to perform for the crowd thrusting whips in the air filling the busy street with deaf defining cracks as the two whips danced about above his head. The Queensland Crossover was in full swing and I wasn’t missing a beat thanks to the amazing video feature on the V1. This experience had summed up my day. The camera was amazing especially the video. Later on that day I played back the video on the high res screen and chucked to myself as I relived the moment.
I put together a small video showcasing some of the standout features I experience when using the camera. All the sample images are shown below most of which were photographed at ISO 1600 due to the low light in the undercover markets.
If I could pass on one piece of advice when thinking about buying a new camera it would be – you wouldn’t judge a book by its cover…so in turn you should never judge a camera by its cover until you delve into the features and experience the image quality for yourself.
I will be unboxing the new Fujifilm X-Pro 1 LIVE on a google+ hangout on Saturday night at 8pm (UTC/GMT Offset +8) !!!!! Come and join me
You will now be able to watch this hangout LIVE around the world directly on my YouTube Channel. I will share the link during the hangout via my various social networks.
Look forward to sharing this awesome camera with you all!